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Content Warning: This section of the guide includes discussion of death, child death, and gender discrimination.
The story’s main protagonist and first-person narrator is 11-year-old Jamal. At the start of the novel, he lives with his parents and younger sister in an unnamed town in Afghanistan. The desert surrounding his town is more or less a warzone, littered with burned-out tanks and minefields and subject to sporadic bombings and skirmishes by Taliban fighters and other factions. A member of a minority ethnic group, Jamal is also painfully aware of his outsider status in his own homeland. Like other children in his town, he seeks haven from the stresses of his precarious life in sports fandom, particularly football (soccer), which he watches on a neighbor’s illegal satellite TV hookup and plays with his friends in the desert near his home. Jamal has a special fondness for UK teams, such as Manchester United and its star player David Beckham, who, at the time of the novel’s action (the early 2000s), was one of the most famous soccer players in the world.
Having lived in a warzone for most of his life, Jamal has acclimatized himself to many of its dangers: He knows, while chasing soccer balls, to avoid the minefields and defines a “good” day as one with no gas or bomb attacks, which, he notes, can “really put you off your football skills” (1). Despite his unstable homelife and the many dangers that surround him, Jamal remains friendly and trusting, always assuming the good will of others. A perennial optimist, he often appears to be in denial of what is going on around him: When he sees captive women being dragged into a soccer stadium to be executed by the Taliban, he thinks confidently that it’s “all pretend and the guns probably aren’t loaded” (61). It also takes him a while to realize that his parents have sold their precious family heirloom for travel money or that the refugee camp that the Navy takes him to is not in Australia but on a distant island. Most optimistic is his grand ambition of becoming an internationally famous soccer star, which he hopes will benefit his people, lifting them out of their marginalized status and making them beloved at last. Throughout the novel, Jamal’s optimism suffers a long series of shocks as the cruelty of other people (and of chance) continually catches him off guard. However, he clings to his sense of hope to the very end, declaring that, though he and his family may still be far from Australia, “everything will be OK,” and one should “never give up” (181). Descended from warriors and bakers, Jamal decides that he is “a bit of both” (172): both fighter and nurturer, warrior and creator.
Jamal’s younger sister and the central character aside from himself, Bibi is decidedly less accommodating and more combative than her brother. Nine years old at the novel’s start, Bibi shows herself to be a prodigy at soccer, even though she has rarely been able to practice due to the Taliban’s laws against girls or women engaging in sports or other outdoor activities. Determined to play soccer nonetheless, she disguises herself as a boy and easily outperforms Jamal and the others. Bibi also shows a fearless boisterousness that would get her in serious trouble with the Taliban were she not in a male disguise, as when she throws rocks at trucks and tanks, kicks adults who annoy her, and makes colorful invectives, e.g., “You squishy lumps of camel snot!” (10). Her combative behavior is never mean-spirited but is always in the cause of justice, as she sees it. However, her recklessness is a constant source of danger to herself and stress for her brother, as when she runs into a danger zone near the children’s soccer pitch and steps on a mine. Impulsive and highly emotional, she often leaps before she looks or thinks: After Jamal has taken her place on the mine, which could explode at any sudden motion, she refuses to leave him, instead jumping on him in a violent embrace. (Luckily, the mine is a dud.)
Though less trusting of strangers than Jamal, she shares much of his optimism, including his grandiose ambitions of soccer stardom, which, for her, has the additional incentive of proving that girls can be great athletes as well. She also seems more studious than her brother, who notes that she often gets caught up in “debate” in the classroom, while his own mind strays to sports. Much of her bold behavior, which is more aggressive than her brother’s, seems driven by her anger over the injustice of the Taliban government’s subjugation of women and girls. Her own athletic prowess, which surpasses that of the boys in her neighborhood, is the clearest proof to her that girls can do whatever boys can. Impulsively, she demonstrates this prowess whenever she feels slighted, often by giving her brother’s soccer ball a prodigious kick, which sometimes leads to trouble, as when she kicks the ball toward an army tank or into the sea. As such, Bibi helps drive the narrative through the crises that she causes because of her high-spiritedness and passion for justice.
The habitually “gloomy-looking” Omar is a boy whom Jamal first meets at the crowded refugee camp where his family is awaiting transport to Australia. He attaches himself to Jamal while scrounging for money and other valuables: First, he asks for money for a bottle of water; then, he tries to steal Jamal’s soccer ball; and finally, he demands a dollar to show Jamal the way back to his family. His acquisitiveness and gloom are later somewhat explained by the revelation that his parents died when he was two years old. Jamal notes that Omar is strong for his size and naïvely attributes his glum manner to the possibility that he’s a goalkeeper. Omar, having had a harder life than Jamal, lacks much of his optimism and always expects things to go badly. For instance, when pirates invade their boat en route to Australia, he claims, “I knew this would happen” (141). His ill temper also takes the form of spiteful remarks to others, as when he tells Rashida that her parents are “horrible” for giving her a male name. As an orphan, he might resent the fact that others have parents and assume the worst about them out of “sour grapes.”
Despite his initial self-centeredness and brusque, morose personality, Omar eventually befriends Jamal, Bibi, and Rashida. When the pirates come onto the boat, he saves Bibi by restraining her when she tries to attack them. Moreover, Omar’s down-to-earth (if disenchanted) perspective allows him to grasp certain things before Jamal and Bibi do; for instance, he sees at once that an approaching craft is not the missing refugee boat but a storage tank. He also absorbs that the camp where they are being held is not in Australia but on a distant island. As such, he helps to ground Jamal, serving as a sobering corrective to his rosy worldview. In turn, Jamal’s family and Rashida, through their kindness and optimism, help soften Omar’s cynicism and self-contempt. Eventually, Omar tells Jamal that his own ancestors were neither warriors nor bakers but “thieves,” which could partly explain his poor self-image. However, Omar, Jamal reflects, has shown himself to be heroic, too: “Omar might think he’s a thief, but it’s never that simple” (172).
Rashida, a teenage girl, first appears midway through the book as a mysterious figure wrapped in a dark blanket. After Jamal saves her by extinguishing her burning blanket, set alight by a careless sailor, he sees why she has concealed herself: Eschewing the head-to-toe garments and austere grooming habits dictated by the Taliban, Rashida favors short pants, a T-shirt, and exotic makeup. Somewhat like Bibi, she is a rebel, and for this reason, she is denied food by the sailors, who show themselves to be as censorious, when it comes to female fashion, as the fundamentalist government they are defying through their smuggling. Jamal has never seen anyone like her before and immediately sees the danger she is in, merely for her clothes and makeup. In Boy Overboard, she serves as a stark reminder of the Taliban’s institutionalized intolerance, with its deep vein of misogyny, which punishes not only rebellious actions (like teaching school or playing sports) but also habits of dress.
Rashida, it turns out, has boarded the boat to Australia all alone since her parents could not afford to come with her; as she tells Omar this, tears come into her eyes. She also explains that she has a boy’s name in honor of her older brother, who died before she was born. Like Bibi, she introduces an element of danger to the story since girls unaccompanied by parents face violent persecution by the Taliban and other reactionary elements; luckily, Jamal and Omar are able to help conceal her gender from the pirates, who terrorize the passengers by brutally abducting parentless girls from the boat.
Strong-willed in her defiance of the gender laws that seek to exclude her, Rashida also shows herself to be open-hearted and generous; first by sharing her flour with Jamal and the other passengers to help keep them alive with bread, and then by refusing to part with Omar at the refugee island, despite his earlier rudeness to her about her parents. Lastly, when Jamal and Bibi are told that their own parents have drowned, Rashida tells them that they will always have her as family. With her every action, Rashida exposes the injustice of a religious fanaticism that judges others’ moral character, sometimes with a death sentence, by the way they dress or groom themselves.
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