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Content Warning: This section of the guide includes discussion of racism, death, suicidal ideation, and substance use.
Taffa describes being “in a waking dream” on the Navajo reservation (243). She is in a teepee with a circle of elders, and a Cheyenne medicine man called Blackbear passes peyote around the circle. The mashed cacti is sour as Taffa puts it in her mouth. The ceremony is “purifying” her, connecting her to the land and her history, healing “over twenty years of collected trauma” (243). The night after the ceremony, she dreams that Grandfather Peyote hugs her so tightly that she “become[s] something new” when she can breathe again (244).
By her junior year of high school, Taffa’s motto became “screw academia.” After years of trying to make her parents and teachers proud by working hard in school, Taffa felt trapped and longed to immerse herself in “the very culture and the history that [her] parents wanted [her] to leave behind” (246). She was learning more about Indigenous history on her own time and growing increasingly frustrated with “the absence of Native wisdom and culture in [her] formal education” (246). With her grades dropping, college seemed less and less likely, and Taffa was “tired of fighting the system” anyway (246).
Joan had dropped out of college to become a manager at Domino’s Pizza, and she got Taffa a job in the kitchen, where she hung out with older kids and spent her money on marijuana and alcohol. She was often engaging in risky behavior, riding on the back of a friend’s motorcycle without a helmet, drinking, and speeding when she drove. One morning while getting high in the canyon, Taffa realized that this tendency toward risk and self-harm was “a family tradition”; it was their “twentieth-century battle cry,” but Taffa knew that “there was a thin line between courage and stupidity” (249). Despite this realization, Taffa couldn’t truly “internalize” what this meant for her and her family.
The next weekend, Taffa went with Joan, her sister’s boyfriend, and a fellow Domino’s employee called Larry to a bar in Durango about an hour away. Everyone was drunk by the time they left, and Larry insisted that Taffa be the designated driver. She repeatedly dozed off as she drove the mountainous roads home, and the next morning, she barely remembered the trip. They spent the following day nursing hangovers until it was late enough to start drinking again. Larry’s girlfriend and their baby daughter came to Joan’s apartment, along with Stefan, another co-worker from Domino’s. Larry and Stefan often flirted, and Taffa could see that he was uncomfortable being with Larry’s girlfriend and daughter. Taffa didn’t want to drink more, so she asked Stefan to take her out to get some food.
Meanwhile, “all hell began breaking loose at Joan’s” (252). Larry pretended to play Russian roulette with a pistol, but when he pulled the trigger, the blank shattered his skull and forced a bone fragment into his brain, killing him. Edmond fretted since they had moved away from the reservation “to protect [their children] from violence like this” (253). He worried that Taffa was losing her sense of “purpose” and urged her to set clearer goals.
After Larry’s funeral, Taffa’s first class was American humanities, where her teacher assigned Bury My Heart at Wounded Knee by Dee Brown. It was the first time Taffa was assigned a nonfiction text “that pertained to [her] life” (255), and she stayed up all night reading. She was shocked and devastated by the extent of the atrocities committed against Indigenous populations and heartbroken by Indigenous peoples’ attempts “to prove they were civilized and deserved to stay on their land” (255). She was consumed by the dawning realization that she and her ancestors “were a persecuted people” and wondered why her parents had never shared this (256). Her father wasn’t home, so she knocked on her mother’s door, desperate to talk. Lorraine answered, furious that Taffa woke her little brother, and sent her back to bed.
On Friday, Taffa’s humanities teacher started the class discussion on Bury My Heart at Wounded Knee by asking Christian, the only visibly Indigenous student in the class, to share his thoughts. The teacher “made no attempt to contextualize [the] discussion” or consider what “the mental health impact [of] the lesson” might have been (258). Christian told the class that his mother had taught him forgiveness, and Taffa was frustrated that he didn’t share his anger. As the rest of Taffa’s classmates chimed in, she “suffered in silence,” upset that she “lacked the courage to stand up and defend [her] ancestors” (259).
The next day, Taffa was home alone, feeling “like a coward and a traitor” (259). Anxious “to numb the pain,” she locked herself in the bathroom (259), swallowed an entire bottle of Tylenol, and fell asleep in the bathtub. She woke up later, suddenly afraid, and stumbled to Monica’s room. Her sister rushed her to the hospital, where she stayed for a week. A psychiatrist came to talk with Taffa, but she struggled to find words to describe the grief and anger she felt. Later, Taffa’s mother sat with her and told her about walking home hungry as a small child. She saw a cherry tree in front of a house and ate the fruit until a man came out and accused her of stealing. She cried while telling Taffa the story, and Taffa understood that it represented “sharing some sort of genesis” of her mother’s pain (262), but she couldn’t understand it clearly.
The next day, her father visited. He attended a leadership conference where a half-Indigenous, half-Chicano man spoke “about how alienated he felt, never able to fit in either world” (263). Edmond apologized and admitted that he had always been thankful that Taffa was “light-skinned and pretty and smart,” not realizing that she might struggle with being “a half-breed” (263). Taffa appreciated the apology, but most of her grief stemmed from “the despicable way [her] ancestors’ ideas had been bled out of [a contemporary] approach to life” (263).
The summer after Taffa’s suicide attempt, her family stayed close to her. Taffa insisted that she was relieved to have her grief “in the open” (264), but her family watched her closely. Edmond invited her to go fishing every weekend, Monica asked her to hang out with her friends, and Joan and Lori spent time at the house. They spent the summer reminiscing about their childhood and going on family camping trips. Taffa and her sisters remembered playing a game where they hit each other with a belt, and Taffa realized how “the world had already taught [them] to accept a beating and brace [them]selves for pain” (266). She promised herself that she would “get rid of the shame” and “make self-love [her] primary goal” (267).
Taffa appreciated her family’s support, but she still longed for a deeper connection to her culture. The summer with her sisters motivated her to escape Farmington with her “[c]hin up rather than head down” (269). She hoped to return to Yuma instead of attending college, but she was still determined to graduate. She enlisted a team of tutors and got ready for her first day of school like “a warrior preparing for battle” (270).
Partway through the spring semester, however, tragedy struck their family when Lori was involved in a serious car accident. She was day drinking with friends from college and went home “with a frat boy who drove like a maniac” (273). He rear-ended a truck, and Lori had to be extricated from the crash with hydraulic rescue tools. Edmond and Lorraine wanted to leave for the hospital right away, but the emergency room doctor urged them to stay put in case they needed to reach them for emergency surgery authorization. The next morning, Lori was stabilized but in a coma, and Edmond and Lorraine began the seven-hour drive to Las Cruces, New Mexico.
When Monica and Taffa came to visit, Lori was barely recognizable in the intensive care unit. Taffa was surprised to find her mother furious, warning her that she was “one impulsive moment” away from becoming “a statistic” (275). She reminded Taffa about the time when Edmond swam across the river while running from some police officers. He planned on hiding in Granny Ethel’s fry bread trailer, but when he touched it while he was soaking wet, faulting wiring caused him to be electrocuted. Hearing the story again, Taffa realized that her father was alive because Lorraine “had never backed down or abandoned him, even when he did stupid things” (276). She thought of everything her mother had given up for her family and regretted treating her with resentment. She understood that Lorraine’s commitment to her faith wasn’t “dumb” but rather the source of her strength.
Taffa found her father in the chapel. She confessed the guilt that she felt while listening to Lorraine speak, but Edmond insisted that she didn’t have to apologize for her anger. He told her that her need to connect more with their culture had “forced them to face issues they couldn’t confront as a couple before” and “made them realize they couldn’t keep pretending their kids’ societal struggles didn’t exist” (277). Taffa “wasn’t ready to forgive America for its racism” (278), but she was beginning to understand that her parents’ faith was a symbol of their strength and perseverance.
Lori woke up after Monica and Taffa had returned to Farmington. The family was relieved, but the lasting consequences of the accident became apparent. Lori couldn’t remember the accident, but she also had no memory of Yuma. When she finished her rehabilitation, the doctor advised the family to take a trip home to spark her memory, so they went to the reservation, visiting their “old haunts” and reminiscing about their childhood. When Aunt Vi learned that Taffa was thinking of returning home, she shook her head. Taffa wondered why Vi hadn’t been interested in learning about her culture, and she told the younger woman that things were “different” for her generation since “everyone was scarred from Indian boarding school” (281). She reminded Taffa that her father worked hard to give her and her sisters “a good life” and urged her to “act like” she appreciated his sacrifices (281).
On the way home from Yuma, Taffa thought about what her aunt said. She realized that she had been angry at her parents for things that were not their fault. Even though it upset her when other Indigenous people treated her like she “was too assimilated” (282), she had been “judging” her parents in the same way. She realized that the life her parents lived was their own “method of survival” and that she had to make her own way (282).
One of Taffa’s teachers had shared a life-changing experience working in Yellowstone while in college, and he helped Taffa find a similar position. She managed to graduate with the rest of her class, and the next morning, the family loaded up for the drive to Montana. Taffa would spend the next two years traveling and learning about Indigenous cultures all over the world, after which she would return to Yuma “strong, straightened out, and ready to help” (285).
After spending some time back on the reservation in her twenties, life “spirited [Taffa] away” again, so writing Whiskey Tender was an opportunity to “[reconnect] with [her] homeland” and herself (287). Grandma Esther used to recite the names of places that were important to her, keeping them close even when she could no longer visit them. Taffa notes that “[g]eography is a shaping force that develops our sense of identity and morality” and “that recitation, poetry, and writing are almost always born of nostalgia” (288). She wrote her memoir mostly in the Midwest, recalling the landscape of her childhood with a sense of nostalgia and reminding herself that “the land remembers [her] name” (289), even if it feels far away. Although customs and traditions might change, she reminds herself and her young Indigenous students that “your ancestors are keeping track of you” (289).
Part 4 is marked less by Taffa’s search for belonging and more by her dawning sense of rage and sadness as she learned more about the atrocities committed against Indigenous people and “the despicable way [her] ancestors’ ideas had been bled out of [a contemporary] approach to life” (263). Unlike her earlier struggles with identity, which focused on fitting in or reconciling her mixed heritage, this section highlights the weight of historical erasure and intergenerational trauma, which she could no longer ignore.
Taffa’s growing frustration with school and her motto to “screw academia” speak to the importance of representation in constructing a sense of self. Without access to the history that defined her, Taffa felt like she didn’t belong in academia, and she stopped making an effort. This moment echoes a larger issue in American education, where Indigenous students are often expected to succeed within a system that actively excludes their history, contributions, and perspectives. Taffa’s grief and anger, along with her inability to speak about it, stemmed from the intense silence around Indigenous history and culture in the United States. When she was finally assigned Bury My Heart at Wounded Knee by Dee Brown, Taffa’s primary reaction was shock and anger that the extent of the atrocities committed against Indigenous populations were kept from her. She realized for the first time that her people were “[t]he victims of generations of violence and genocide” and felt furious and betrayed that her “parents never told [her] about [their] collective history” (256). This moment highlights The Effects of Assimilation Policies on Indigenous Identities, as the systemic erasure of Indigenous history in mainstream education forces individuals like Taffa to rediscover their own heritage in isolation, creating intergenerational gaps in cultural knowledge.
This is a profound turning point—her anger shifted from internalized shame to an externalized fury at the structures that kept this knowledge from her. Bury My Heart at Wounded Knee was only published in 1970, and much of the text’s content wasn’t common knowledge, even among Indigenous communities, thanks to assimilation policies and the whitewashing of American history. Thus, Taffa’s anger at her parents reflects a generational gap in access to knowledge, where historical trauma is passed down not just through stories but also through silence. When Taffa later asked her aunt Vi why she didn’t try to learn more about her culture, Vi reminded Taffa that it was “complicated […] to stay alive” for her generation; people died young, they were “scarred from Indian boarding school” (281), and they worried about putting food on the table. This conversation forced Taffa to recognize that her parents and elders were not simply withholding knowledge but were themselves products of a system designed to sever Indigenous people from their own histories—turning survival into a higher priority than cultural preservation.
After her suicide attempt and Lori’s memory-altering car accident, Taffa started to understand her parents’ way of life not as an attempt to forget their culture and heritage but as their own “method of survival” (282). Her mother’s strict adherence to Catholicism, once a source of frustration for Taffa, revealed itself as a necessary coping mechanism—her faith was not an act of assimilation but a form of resilience. Her father’s departure from the reservation was his way of ensuring that he could earn enough money to support his children. This realization marked a shift in Taffa’s perspective—from seeing her parents as complicit in assimilation to understanding them as individuals who made impossible choices for their family’s survival. Taffa realized that she “was judging [her] parents” the same way “other Natives policed [her] identity” and complained that she “was too assimilated” (282). This moment dismantled the binary thinking that had haunted her throughout her life—she began to see that identity is not a battle between authenticity and assimilation but rather a complex negotiation of history, survival, and self-definition. This kind of thinking is another example of how colonialism promotes a binary system of thinking that “[creates] factions and [tears] families apart” (282). Taffa became so caught up in defining what it meant to be white or Indigenous that she overlooked the nuance of her own family’s lived experiences.
Throughout the events described in this final section, Taffa moved from disillusionment to a more nuanced understanding of identity, history, and survival, reflecting Coming of Age and the Search for Belonging. Her early frustrations stemmed from feeling caught between two worlds, but she has now embraced the idea that belonging is not about meeting external expectations but about forging her own path. The Personal and Collective Journey of Cultural Preservation and Recovery is also evident in her final realization: The scars of boarding schools, displacement, and assimilation policies left many Indigenous families fractured, but the act of seeking out and reclaiming history is itself an act of resistance. While Taffa’s younger self longed for definitive answers, her older self understands that identity is a process. Her parents’ choices, once a source of resentment, now serve as a reminder that survival is not a betrayal of culture but a part of its ongoing evolution.
She ends the memoir with a newfound respect for her parents and a commitment to learning about and defining her identity on her own terms. Her journey is not about “choosing” between two worlds but about embracing all parts of herself without shame. Taffa’s closing words of advice to the young Indigenous students she works with, “Don’t worry, your ancestors are keeping track of you” (289), suggest that one never has to fear losing sight of their roots. This final statement offers a sense of closure—not in the form of easy answers but in the reassurance that identity is a living, evolving connection to the past rather than a fixed state of belonging.
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